Ghost in the Shell is a series revered by fans worldwide, and continues to leave an impact on creators across borders and generations. In conjunction with the opening of the first-ever Ghost in the Shell exhibition “Ghost and the Shell”, currently being held at NODE Tokyo, it was announced that the latest TV anime production of Ghost in the Shell will be airing in Japan starting July 2026. The very first key visual and promotional video was released as well.
Watch the first PV here: https://youtu.be/xl8bNn3BRRM
The first key visual and original artwork from the series is currently on display at the “Ghost and the Shell” exhibition.
Ghost in the Shell Exhibition “Ghost and the Shell” https://www.tokyonode.jp/sp/exhibition-ghostintheshell/
The musical producers for the new series have also been announced! The musical director is Taisei Iwasaki, known for composing the score for Ryuu to Sobakasu Hime (Belle), which won a Japan Academy Award for “Best Music”. In addition, Ryo Konishi, who served as the music director the Osaka World Expo and produces for artists such as Chara+YUKI, Mrs. Green Apple, TOMOO and more, will be collaborating with U.S.-based composer Yuki Kanesaka, who produced the music for TV anime Dr. Stone.
Updates will be posted to the new Ghost in the Shell website and official social media accounts.
Taisei Iwasaki (Profile)
Award-winning musician who’s known for his work on Ryuu to Sobakasu Hime, Hateshinaki Scarlet, Giant God Warrior Appears in Tokyo, TV anime Kekkai Sensen, Spriggan, Marriage Toxin, and more.
Moteki and Ryuu to Sobakasu Hime won the 35th and 45th Japan Academy Awards for “Best Music” respectively, while Ryuu to Sobakasu Hime went on to win the 36th Japan Golden Disc Award for “Best Soundtrack of the Year”.
His comment:
“In middle school, I came across a magazine with an illustration of Motoko Kusanagi inside. That was the moment when I discovered Ghost in the Shell. Its unique touch and color set it apart from other works. Even the author’s name, Masamune Shirow, captivated me. I was stunned. I’ve since encountered the series in various forms. Now, I am truly honored to be a part of this project and its long history. The concept I envisioned for this project is “Sound Public Security Sector 9”. With the help of my talented friends, I will strive to make this long-awaited work even better. May we all come together soon.
Ryo Konishi (Profile)
Born July 25, 1988 in Tokyo.
Musical composer, arranger, and performer on saxophone, flute, clarinet, synthesizer, and vocoder. He served as the musical director for the opening ceremony of the Osaka World Expo, and has produced for numerous theatre productions, drama productions, and artists including Chara+YUKI, Mrs. Green Apple, TOMOO and more. His style as a performer involves mastering and playing multiple instruments, making him a valuable multi-instrumentalist in multiple settings including Chara and Millenium Parade led by Daiki Tsuneta. He’s participated in numerous festivals both domestically and internationally, including NHK’s “Kohaku Uta Gassen”, Fuji Rock Festival, and Summer Sonic.
His comment:
“I first watched Innocence when I was in junior high school. Ever since my heart was stolen by its intense charm, I’ve pursued everything related to Ghost in the Shell. Its influence is deeply ingrained into my own work and philosophy. At first, I couldn’t believe that I was entrusted with creating music for this work, but I wanted to embrace this precious world. With that feeling in my heart, I took on this project with my entire body and soul. Follow the whispers of my ghost!”
Yuki Kanesaka (Profile)
A music creator and composer based in Boston, creating music daily across the U.S. and Europe. In recent years, he’s been working as an assistant professor at Berklee College of Music, discovering music and developing technology, while also developing products for companies like
Sony and AlphaThetha/Pioneer. He enjoys working and can play around 74 instruments.
Recent works:
- Shiryu Sejima (artist)
- Dr. Stone/Jujutsu Kaisen/Snowball Earth (anime music)
- Volkswagen/Kyupi/Meiji/Yonex (commercial music)
- Jojo’s Bizarre Adventure/Sonic Racing (game music)
His comment:
“I began with a single utterance: “Ghost in the Shell? Never heard of it!”, before immediately ordering every English and Japanese version I could get on Amazon. As I dove into composing at my private studio in Boston, a vast number of motifs began preparing for their musical journey. To Nashville, where my allies wait, for additional recordings. To a Shanghai hotel, for tailoring. Finally, the motifs’ journey comes to an end in Tokyo, transforming from a phenomenon called “a passage” into a message called “a suite”. A journey without hesitation, without blurring, without rewriting. These songs are like maps, etched with a trail of my thoughts and impulses.
Ghost in the Shell Official Accounts:
Official Website: theghostintheshell-anime.jp
Official X: @thegits_animeEN
Official Instagram: @thegits_anime
©2026 Shirow Masamune/KODANSHA/THE GHOST IN THE SHELL COMMITTEE
